History of Printmaking

La ilustración como categoría. Una teoría unificada sobre arte y conocimiento (2004)

Art Theory / Modern Art / Illustration / History of Art / History of knowledge / History of Printmaking

Joan Miró. Grabado y experimentación (2007)

Modern Art / Printmaking / History of Printmaking / Joan Miró

Experimentar e innovar en un espacio gráfico renovado (2008)

Contemporary Art / Printmaking / Visual Arts / History of Printmaking

Ascenso y triunfo de la ilustración (2002)

Modern Art / Printmaking / Digital Art / History of Printmaking / Book Illustration

El grabado como paradigma en el arte contemporáneo (2000)

Modern Art / Printmaking / History of Printmaking / Contemporany art

La ilustración como categoría: dos episodios sobre arte y conocimiento (2000)

Illustration / Theory and Practice of Visual Arts / Visual Arts / History of Printmaking / Art and Knowledge

La gráfica en el dominio de lo múltiple: una aproximación crítica (2006)

Modern Art / Printmaking / Theory and Practice of Visual Arts / History of Printmaking / Contemporany art

De la revisión del artista del pueblo al cuestionamiento institucional. Lecturas sobre Guillermo Facio Hebequer, en A contracorriente, Vol. 8, No. 2, Winter 2011, 96-128.

Printmaking / History of Printmaking / History of Exhibitions / Arte y política / Arts, Politics and Culture / Arte argentino / Art and Art History / Guillermo Facio Hebequer / Arte argentino / Art and Art History / Guillermo Facio Hebequer

Arte plural. El grabado entre la tradición y la experimentación 1955-1973, Buenos Aires, Edhasa, 2012

Latin American Art / Printmaking / Printing History / 20th century Avant-Garde / History of Printmaking / History of Drawing and Printmaking / Arte Contemporáneo Latinoamericano / Grabado / Historia del arte latinoamericano / Liliana Porter / Luis Seoane / Historia Del Grabado / Edgardo Antonio Vigo / Antonio Berni / History of Drawing and Printmaking / Arte Contemporáneo Latinoamericano / Grabado / Historia del arte latinoamericano / Liliana Porter / Luis Seoane / Historia Del Grabado / Edgardo Antonio Vigo / Antonio Berni

Entre Buenos Aires y Montevideo, la circulación del grabado de Antonio Berni en los años sesenta

Art History / Latin American Art / Printmaking / History of Art / Latin American Cultural Studies / History of Printmaking / History of Exhibitions / Arte argentino / Art and Art History / Historia del arte latinoamericano / Antonio Berni / History of Printmaking / History of Exhibitions / Arte argentino / Art and Art History / Historia del arte latinoamericano / Antonio Berni

“Consideraciones sobre la tradición del grabado en la Argentina”, en Nuevo Mundo Mundos Nuevos, Images, mémoires et sons, París, L’Ecole de Hautes Etudes en Sciences Sociales, juillet 2016.

Latin American Art / Printmaking / History of Printmaking / Tradition / Art and Politics / Grabado / Arte argentino / Historia del arte latinoamericano / Grabado / Arte argentino / Historia del arte latinoamericano

A print by Alessandro Longhi, «Print Quarterly», XI, 1994, n° 4, pp. 425-426

History of Printmaking / Giovanni Domenico Tiepolo / Venice 18th century / 18C Venetian Art / Old Master Prints / 18th Century Prints and Drawings / Alessandro Longhi / Printmaking in Venice / 18th Century Prints and Drawings / Alessandro Longhi / Printmaking in Venice

Nihon no shiro 日本の城 (Japanese Castles, 1944)

Cultural History / Cultural Studies / Asian Studies / Japanese Studies / Visual Studies / Prints / Print Culture / Art History / Design / Architecture / Japanese Literature / Japanese Language And Culture / Japanese Religions / Visual Culture / Modern Art / Graphic Design / Japanese History / Modern and Contemporary Japan / Japanese Art / Early Modern (Japanese History) / Pre-Modern Japan / Vernacular Architecture / Architectural History / East Asian Studies / Second World War / Printmaking / History of Art / Modernism (Art History) / Architectural Theory / Book Arts / Japanese Literature and Culture / Modern Japanese History / World War II / Modernism / Traditional Crafts / Japan / Printing History / Print media / Book Art / Drawings and Prints / Prints (Art History) / Japanese Culture / Modern Japan / Print Publishing Layout & Design / Japanese Popular Culture / Visual Arts / Japanese Art History / War art / Book Cover Design / Edo-period Japan / Second World War (History) / Prints and Drawings / History of architecture / History of Printmaking / Japanese Architecture / World War II history / Books / Arts and Crafts / Castles / East Asian Languages and Cultures / Castle Studies / History of Graphic Design / Woodblock Prints / Printmaking (woodcut) / Medieval Architecture, Castles / Early Modern Japan / Medieval castles / Art and War / Castles and Fortifications / Book Arts And Bookbinding / Japanese History of Art / History of Japanese architecture, landscape design and urbanism / Medieval Castles and Fortresses / Asian Art / Book Design / Woodcuts / Japanese Woodblock Prints / Modern Japanese Art and Architecture / social and cultural history of the Second World War / Japanese Art, Especially Modern and Contemporary / Modern Japanese Literature and Culture / Tokugawa Shogunate / Modern and Contemporary Japanese Art History / Japanese Arts and Culture / Artists’ Books / Traditional Japanese Architecture / History of Edo Period / Azuchi Momoyama Period / Japenese Architecture / Art and Architecture of Japan / Prints / Print Culture / Art History / Design / Architecture / Japanese Literature / Japanese Language And Culture / Japanese Religions / Visual Culture / Modern Art / Graphic Design / Japanese History / Modern and Contemporary Japan / Japanese Art / Early Modern (Japanese History) / Pre-Modern Japan / Vernacular Architecture / Architectural History / East Asian Studies / Second World War / Printmaking / History of Art / Modernism (Art History) / Architectural Theory / Book Arts / Japanese Literature and Culture / Modern Japanese History / World War II / Modernism / Traditional Crafts / Japan / Printing History / Print media / Book Art / Drawings and Prints / Prints (Art History) / Japanese Culture / Modern Japan / Print Publishing Layout & Design / Japanese Popular Culture / Visual Arts / Japanese Art History / War art / Book Cover Design / Edo-period Japan / Second World War (History) / Prints and Drawings / History of architecture / History of Printmaking / Japanese Architecture / World War II history / Books / Arts and Crafts / Castles / East Asian Languages and Cultures / Castle Studies / History of Graphic Design / Woodblock Prints / Printmaking (woodcut) / Medieval Architecture, Castles / Early Modern Japan / Medieval castles / Art and War / Castles and Fortifications / Book Arts And Bookbinding / Japanese History of Art / History of Japanese architecture, landscape design and urbanism / Medieval Castles and Fortresses / Asian Art / Book Design / Woodcuts / Japanese Woodblock Prints / Modern Japanese Art and Architecture / social and cultural history of the Second World War / Japanese Art, Especially Modern and Contemporary / Modern Japanese Literature and Culture / Tokugawa Shogunate / Modern and Contemporary Japanese Art History / Japanese Arts and Culture / Artists’ Books / Traditional Japanese Architecture / History of Edo Period / Azuchi Momoyama Period / Japenese Architecture / Art and Architecture of Japan

Impreso en la Argentina. Recorridos de la gráfica social desde la colección del Museo Castagnino+macro. A cincuenta años del Gran Premio en Grabado y Dibujo en la Bienal de Venecia a Antonio Berni, Rosario, ediciones Castagnino+macro, 2013

Print Culture / Museum Studies / Latin American Art / History of Museums / Printmaking / Social History of Art / History of Printmaking / Printmaking (woodcut) / Arts and Culture / Grabado / Xilografía / Arte argentino / Grafica / EXHIBITIONS AND MUSEUMS / Historia Del Grabado / Antonio Berni / Social History of Art / History of Printmaking / Printmaking (woodcut) / Arts and Culture / Grabado / Xilografía / Arte argentino / Grafica / EXHIBITIONS AND MUSEUMS / Historia Del Grabado / Antonio Berni

Materiales, modelos y mercado de la pintura en Quito, 1550-1650

Print Culture / Art History / Early Modern History / Atlantic World / Painting / History of Art / Book History (History) / Materiality of Art / Book trade History / Art Market / Spanish Colonial Peru / Painting Conservation / Early Modern print culture / Colonial Latin American History / Historia colonial / History of Printmaking / History of Commerce / Colonial Latin American Art- Mexico and Peru / Spanish American colonial studies / Historia del Arte / Historia del Libro / Pintura / Quito / Pigments / History of Pigments / History of Arts / Estudios transatlánticos / Mercado del arte / Historia y Teoria del Arte y la Arquitectura / Grabado / History of Books, Printing, and Publishing / Comercio Peru colonial / Arte Colonial Americano / History of Colors / Historia del arte latinoamericano / Pigmentos Naturales / Arte colonial andino / Arte Colonial Quiteño / Historia Colonial De América Latina / Colonial Art and Portuguese and Spanish Empires / Peru pintura colonial / Historia Del Ecuador / Pinturas Y Pigmentos / Arte Colonial En La Audiencia De Quito / History of Art / Book History (History) / Materiality of Art / Book trade History / Art Market / Spanish Colonial Peru / Painting Conservation / Early Modern print culture / Colonial Latin American History / Historia colonial / History of Printmaking / History of Commerce / Colonial Latin American Art- Mexico and Peru / Spanish American colonial studies / Historia del Arte / Historia del Libro / Pintura / Quito / Pigments / History of Pigments / History of Arts / Estudios transatlánticos / Mercado del arte / Historia y Teoria del Arte y la Arquitectura / Grabado / History of Books, Printing, and Publishing / Comercio Peru colonial / Arte Colonial Americano / History of Colors / Historia del arte latinoamericano / Pigmentos Naturales / Arte colonial andino / Arte Colonial Quiteño / Historia Colonial De América Latina / Colonial Art and Portuguese and Spanish Empires / Peru pintura colonial / Historia Del Ecuador / Pinturas Y Pigmentos / Arte Colonial En La Audiencia De Quito

Katsushika Hokusai: Ejiri a la Província de Suruga

Art History / Printmaking / History of Printmaking / Japon / Printmaking (woodcut) / Grabado / Xilografía / Woodcuts / Katsushika Hokusai / Grabado / Xilografía / Woodcuts / Katsushika Hokusai
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